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Over the last 5 years Gordon has acquired a combination of some of the
most technologically advanced camera moving products available. He has
continued to modify and synthesize this package into a remote location
camera conveyance system that can be carried by a small local crew, into
remote locations, enhancing creativity while conserving valuable production
resources. The creative flexibility garnered by this hybrid system brings
a new level of production value to locations so remote that they would
normally be relegated to a "camera only" scenario with today's
budgets. Gordon offers special introductory rates on his services with
equipment.
The Steadicam
Flier 24 was developed by Garrett Brown and Tiffen as a lower cost,
lightweight, Hi-Def camera stabilizing conveyor. From the factory it was
not possible to pull the whole unit apart quickly and fold it up into
a small backpack. By re-configuring the cabling and tensioning and re-machining
some of the parts Gordon was able to up the load capacity to float the
Arri 235, RED or even the Sony F900. The whole system folds up into the
vest and sets up in less than 10 minutes with no stand needed after the
initial configuration. The Marshall HD/SD multi format monitor works perfectly
on the Microjib, who's Powerhead works equally well on the Suction/Car
Mount or Microdolly allowing smooth, silent, remote pan and tilt of the
moving camera.

Powerhead on the Microjib.
The developer of the Microdolly;
Jerry Johnson did a remarkable job of designing and manufacturing this
light weight system. The "Microdolly" weighs in under 10 pounds
with 13' of track as thin as tent poles that sets up in under 5 minutes.
Gordon's "Microjib" weighs in at 15 pounds and carries cameras
3 times its weight with ease. His modified "Microdolly Suction Mount
Kit" provides mounting in almost any position on cars, bikes, even
at high speeds. The "Powerhead" works with either of these systems
and has the added benefit of no motors so it can be used in National Parks
and other sensitive areas like the Galapagos Islands where you are normally
limited by motors. The system also has the ability to go from under to
above water and back, provided, of course, the camera is properly housed
in one of Gordon's custom housings. The Microjib is designed to counterbalance
with water, rocks, sand or anything else handy you want to put in the
basket, so there is no need to bring weights just to counter balance the
camera. The Microjib's silent operation allowed Gordon to use it in a
hypnosis session on a pilot program in March 2007.
The advantage of Gordon's modified system is the crossover compatibility
of components with fast set up times in light weight waterproof backpacks
which allow high production value image acquisition in difficult, remote
locations.

Pictures of components courtesy of Microdolly
and Tiffen
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Gordon
running with Steadicam with Sony F900 and "3 Peaks 3 Weeks"
for Serac Adventure Films
team on Kilimanjaro in Tanzania Jan. 2007.
Gordon
with Microjib and "3 Peaks 3 Weeks" team beyond Baraka
Camp on Kilimanjaro.
Gordon with Microjib and Sony F900 shooting toward Meru from Kilimanjaro,
using local rocks as counterbalance.
Gordon in Iceland with Microjib shooting "What Lies Below"
Pilot for Discovery with Pilgrim Films.

Gordon also has a large amount of sports and sport cinematography
equipment including underwater communications, housings, rigging
equipment, single rope technology, Spelio-equipment and mounting
expertise for aerials and vehicle rigs.
Though Gordon is not a soundman and will happily work with yours
or make recommend but he has supplementary sound equipment as that
including 3 wireless mics and and a mixer.
Gordon also has a small lighting package tailored the fit the "Highly
Portable Production Profile" including 4 battery operated Light
Pads. 2 6"x6" and 2 12"x12" Pads. these
can run off either AC or batteries and are dimable and daylight
balanced. They make a great fill light for daytime interviews as
well as providing hassle free The Light Pad are amazingly useful
in cars where they can be taped to the dash or hung from the visor
and in small spaces like tents where they can be slipped into a
pocket or hand held.Their light quality fits their use perfectly
anywhere you want to make your talent look better with a nice soft
fill.
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